Artistic Bouquet On A Decorative Frame

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Artistic Bouquet On A Decorative Frame
Artistic Bouquet On A Decorative Frame

Video: Artistic Bouquet On A Decorative Frame

Отличия серверных жестких дисков от десктопных
Video: Pressed Flowers DIY 2023, February
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The frame technique for making a bouquet is one of the most difficult and time consuming. But the result is very impressive. This was brilliantly demonstrated by the florist Zhanna Semenova, having created 8 creative compositions on display at the Floreal Training Center

When creating a frame bouquet, it is important not only to develop a concept for a future piece, but also to think over every step of its production. The composition is kept taking into account the nature of the flowers: you cannot take simultaneously protea, rose, anthurium, etc. The choice of flowers should correspond to the general concept of the bouquet and the nature and texture of the frame. Only in this way will she acquire the necessary integrity and mood.

When working on frame bouquets, the use of glue is often required, but at the same time an important principle must be preserved: to work with floristic material, always use only special glue, and only normal PVA glue is permissible for working with non-natural material.

Flowers for frame bouquets require preparation: they are almost completely cleared of leaves, leaving only the inflorescence. Some stubborn flowers require pre-taping.

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The frame for the first bouquet is made of soft long needles of Weymouth pine (Pinus strobus). The needles are attached to the cardboard base in the form of a ring using double-sided tape and floral glue, then a wire frame, which is again covered with needles and stitched with wire. Above and below the frame is decorated with beautiful white floral paper, which creates a winter mood. By the weight of the frame, it is easy to determine how many supports are required for the bouquet to maintain balance. In this case, the frame is quite heavy, so 7 supports are needed. The supports in this bouquet have not only a technical but also a decorative function. The nervous texture of coniferous needles is balanced by calm peonies (Paeony), lisianthus (Lisianthus), pittosporum (Pittosporum), and their delicate pink and white tones are beautifully set off by bluish needles.Ivy shoots complete the composition, uniting it into a single whole. The needles retain their decorative qualities for a long time, therefore, replacing the flowers, you can experiment on it and come up with a completely different bouquet.

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This frame consists of bleached twigs that are drilled with a drill and wired together. For roses or other significant flowers, such a frame is too rough, but for greenery and delicate spring flowers it is very good. On a one-legged support we fix the bottom - a round cardboard, tinted black, to match the color of the earth. At the bottom we set the sprouted grass, pierce the cardboard and insert the yellow-red buttercups (Ranunculus), reminiscent of chicken-rippled chickens. We glue the quail eggshells with floral glue. The result is a fresh and elegant Easter composition.

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For the next composition, I used a frame made of branches, tinted black. Using floristic glue, we glue large sunflower seeds on it. We attach the halves of the pomegranate. A rigid frame feed dictates the use of exotic plants with rich colors. First, install the black calla lilies. Anthurium (Anthurium) is pre-tepped to give the flower the desired position. Red roses "Grand Prix", bright pink inflorescences of Nerine (Nerine), pink flowers of sweet peas (Lathyrus) will dilute the dark tones of the composition. Since all flowers are leafless, add some Trachelium, Pittosporum greens, Thypha leaves and Hedera shoots.

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The fourth composition uses a wire frame in the form of a flat cylinder. It must be carefully braided with leaves of cattail (Typha) so that the wire is not visible. The top can also be closed with cattail weave, but in this case, purple yarn is used. Close the central hole with a piece of floristic wire mesh and start placing flowers - half-open pink peonies (Paeony), lilac-blue hyacinths (Hyacinthus), white lisianthus (Lisyanthus), Nerine (Nerine), sweet peas (Lathyrus) and sprigs of fottinia (Photinia) …

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And one of those present aptly called this composition "Alpine Hill". The frame for it is made in the form of a tape consisting of pine needles, stitched between two layers of paper. Outside, we decorate the surface of the white openwork floral boomai. We lay the tape in the form of a spiral and stitch it with wire so that between the turns there are spaces of different shapes that will be filled with flowers. We pierce with a diametrically wire and attach white beads with a hot gun to the protruding ends. The frame is finished, and you can start decorating it with flowers. For this purpose, Trachelium is ideal - it is voluminous, airy, but not significant, will serve as a good filling. The main thing here is the hellebore (Heleborus), which is assigned the top of the composition, the pedestal.

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The "openwork nest" for the next bouquet is made of curved willow branches. The shape of the framework dictates the use of plants with flexible stems. First, we put in it the shoots of scindapsus (Epipremnum) and ivy (Hedera), from which it is necessary to remove part of the leaves, since the vines evaporate too much moisture. In the recess of the frame we place orchids - Phalaenopsis and Miltonidium. On the outer part of the frame we pass the leaves of the cattail (Typha) and the graceful white calla lilies (Zantedeschia). We complement the composition with pink sweet peas, which enhances the feeling of lightness. The flow of flowers in this bouquet is natural, all flowers are on live stems, they are not teppated.

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The material for this unusual frame is pine needle sausages. Bergras are also suitable for making them, cereals can be used in summer. We put bunches of needles (or grass) on a wire 1.5 mm thick and wrap them with a thin wire, adding more layers. The length of the "sausages" is about 60 cm. We decorate the finished sausages with white mohair yarn. We give them a twisted shape and make a frame out of them, connecting together with pieces of wire. The ends of the "sausages" go up, where the flowers will be integrated, the middle will form a plane. To give the frame rigidity, we fix a round wire base on it, to which the thick wire supports are attached. We place flowers on the frame - first Buplerum and Trachelium as fillers, then white tulips and Lisianthus.Cover the bottom of the frame with short sprigs of buplerum. The effect of this composition is unexpected - white flowers and mohair tips of "sausages" make it airy and transparent, leaving not even a hint of a heavy frame. This technique is applicable to a wide variety of floral designs, including hats and dresses.

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The last composition is based on a tapered wire frame. The rules of good taste in floristry require that the wire is not visible, so we wrap the frame with soft gray-beige yarn, including the top. Then we braid it tightly with leaves of cattail (Typha), giving the appearance of a basket. We fasten the leaves together with floral glue. The very shape of the frame dictates the theme of the composition - you want to fill it with flowers and fruits. First, we wrap the basket with lashes of maiden grapes (or other vines) and ivy shoots. We also surround the opening for the bouquet with a bunch of vines. Place flowers in the center of the composition - "Grand Prix" roses, green chrysanthemums "Anastasia Green", white Alstremeria (Alstremeria), a couple of inflorescences of Nerine (Nerine), a little buplerum (Buplerum). Since there is a basket, there must be abundance,so we add fruits - green apples and apple peel spirals.

When the bouquet on the frame is ready, cut the stems at the same level, while making the “legs” of the frame slightly shorter than the flowers. When placing bouquets in a vase, we maintain the water level 2 cm below the place of the bundle.

You can learn the secrets of floristic skill from Zhanna Semenova at the Floreal Training Center ( http://www.florealcenter.ru/ ). Registration for courses by phones: (495) 728-04-27, (495) 916-37-21, (495) 916-34-40.

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